Selasa, 30 Juli 2013

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Minggu, 28 Juli 2013

Michael Light: Lake Las Vegas/Black Mountain, by Rebecca Solnit, Lucy Lippard

Michael Light: Lake Las Vegas/Black Mountain, by Rebecca Solnit, Lucy Lippard

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Michael Light: Lake Las Vegas/Black Mountain, by Rebecca Solnit, Lucy Lippard

Michael Light: Lake Las Vegas/Black Mountain, by Rebecca Solnit, Lucy Lippard



Michael Light: Lake Las Vegas/Black Mountain, by Rebecca Solnit, Lucy Lippard

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Until 2008 Nevada was the fastest-growing state in America. But the recession stopped this urbanizing gallop in the Mojave Desert, and Las Vegas froze at exactly the point where its aspirational excesses were most baroque and unfettered. In this third Radius Books installment of noted photographer Michael Light's aerial survey of the inhabited West, the photographer eschews the glare of the Strip to hover intimately over the topography of America's most fevered residential dream: castles on the cheap, some half-built, some foreclosed, some hanging on surrounded by golf courses gone bankruptcy brown, some still waiting to spring from empty cul-de-sacs. Throughout, Light characteristically finds beauty and empathy amidst a visual vertigo of speculation, overreach, environmental delusion and ultimate geological grace. Janus-faced in design, one side of the book plumbs the surrealities of "Lake Las Vegas," a lifestyle resort comprised of 21 Mediterranean-themed communities built around a former sewage swamp. The other side of the book dissects nearby Black Mountain and the city's most exclusive-and empty -future community where a quarter billion dollars was spent on moving earth that has lain dormant for the past six years. Following the boom and bust history of the West itself, Light's photographs terrifyingly and poignantly show the extraction and habitation industries as two sides of the same coin. Essays by two of the world's most celebrated cultural and landscape thinkers, Rebecca Solnit and Lucy Lippard, offer resonant counterpoint.

Michael Light: Lake Las Vegas/Black Mountain, by Rebecca Solnit, Lucy Lippard

  • Amazon Sales Rank: #1188332 in Books
  • Brand: Light, Michael (PHT)/ Solnit, Rebecca/ Lippard, Lucy
  • Published on: 2015-05-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 16.40" h x 1.00" w x 10.60" l, .0 pounds
  • Binding: Hardcover
  • 70 pages
Michael Light: Lake Las Vegas/Black Mountain, by Rebecca Solnit, Lucy Lippard

Review Light's aerial images of the terrain surrounding Las Vegas are both gorgeous and disturbing, showing the suburban sprawl from such heights that it looks like abstract art but reveals man-made havoc. (Jack Crager American Photo)Light’s photography doesn’t so much question the developers’ summary as it does, say, blast it, scar it, terrace it and then build a large housing development on the remains. Featuring beautifully composed aerial shots of the construction sites and golf courses covering the desert, the book is a clear condemnation of the destructive and unsustainable development in Nevada. Much more than that, though, Light is highlighting a wider philosophy behind developments like Ascaya and Lake Las Vegas that fundamentally fail to connect American society with the American landscape in a non-destructive way. (Dario Goodwin Arch Daily)Lake Las Vegas, the subject of Michael Light’s aerial photographs in Lake Las Vegas/Black Mountain, is such an explicitly European fantasy that a replica of Florence’s famous Ponte Vecchio bridge crosses a stretch of its artificial lake, and the houses are mostly in the stucco-and-tile-roof mode called “Mediterranean.” From near the earth you see into yards and houses, terra cotta roofs, pieces fitting together like a puzzle, tight to each other, despite the expanse all around, or you see the texture of the earth that has been groomed and scraped and graded into something you can drop a mansion onto. From a little ways higher, you see the layout of the streets, like a fingerprint pressed into the landscape, the whorls and cul-de-sacs of the curvilinear layouts beloved of developers. (Rebecca Solnit TomDisptach)As in his other work, Light photographed the communities aerially, shooting out of a helicopter and, occasionally, a fixed-wing plane. He worked during the morning and late afternoon, when the light provided “maximum three-dimensionality.” And, for the first time, he shot extensively in color, capturing a dizzying palette of golf-course greens and swimming-pool blues to highlight the artificiality of the manufactured landscape.

That overhead perspective allowed him to capture the way in which the developments, “practically airlifted” into the environment, stuck out from their surroundings. It also afforded him a view of places that would be off-limits from the ground. “They’re guarded and gated and available only to property owners and their specified guests. That’s one aspect of my aerial practice that I enjoy, which is to say that I can leap over the proverbial hedgerow and tell the story I want to tell,” he said. (Jordan G Teicher Slate)A harrowing overview of Nevada's post-recession real estate slump, Michael Light photographs half-finished luxury developments and the landscapes that were reshaped to accommodate them. (Phil Bicker TIME Lightbox)

About the Author Writer, historian, and activist Rebecca Solnit is the author of sixteen books about civil society, popular power, uprisings, art, environment, place, pleasure, politics, hope, and memory. She is a Harper s contributing editor.Lucy R. Lippard is one of American's most influential writers on art, and was the longtime art critic for The Village Voice. She has received the American College Art Association's Mather Award. Her numerous books include Get the Message: A Decade of Art for Social Change, Six Years: The Dematerialization of the Art Object, Changing: Essays in Art Criticism, The Pink Glass Swan: Selected Essays on Feminist Art and Overlay: Contemporary Art and the Art of Prehistory.Michael J. Light, MD, FAAP is a Fellow of the American Academy of Pediatrics.


Michael Light: Lake Las Vegas/Black Mountain, by Rebecca Solnit, Lucy Lippard

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3 of 3 people found the following review helpful. Get this incredible book before it sells out By DA I just got my copy of Michael Light’s latest book. I should say that I am a fan of his work, and that I have the previous 2 books in this same series.The new one does not disappoint. It’s an incredible body of work—part study in how the failing Amercian dream can literally be seen in the landscape around Las Vegas, NV, and part showcase of Light’s great images. And the book itself is a work of art. The cover has two pockets that each hold a large-scale portfolio, that are completely removable. And the photos are hauntingly beautiful despite the unsettling nature of the subject matter.If you are not familiar with Radius Books, check them out. They are a non-profit art book publisher in Santa Fe, creating some of the most beautiful books/objects. They donate a percentage of the small run books to public libraries. Get your copy of this two book publication while you can.

2 of 2 people found the following review helpful. great photography, smart book design, thought-provoking prose By Charles Hood As other reviews indicate, this “book” is actually two titles in one: open the very tall covers and inside sleeves hold separate-but-equal books, identical in format, each with a portfolio of full-bleed, non-coated stock, aerial photographs, a smart essay, and a line-drawn key to provide captions for the otherwise deadpan, “as is” images.Four things make this worth five out of five stars.(1) The exploration of landscape and man’s relationship to same, which is to say, the overt “content” of the book is striking, haunting, thoughtful. As art it can stand alone, but as a collection of ideas, it extends the conversation many people now are having about appropriate ways to inhabit the Western environment.(2) Prose. Lucy Lippard does the essay that goes with the “Black Mountain” half of the book; San Francisco’s Rebecca Solnit (heir to Susan Sontag, if ever we are going to have one) does the essay for “Lake Las Vegas.” Even if you’re indifferent to the images, as improbable as that seems, this is a book to own for the essays that are packaged with it.(3) It’s further important as a comment on and extension of bookmaking as an art. The ways that the spine reads externally and internally, the fine craftsmanship of the bindings, the way the format challenges assumptions and yet feels organic and integrated---if you have anybody in your life who loves books as well-designed objects, this 11 x 17 volume will be the gift they never knew they wanted.(4) Price. While it’s not usually mentioned, modern printing and distribution combine now to make art books cheaper than dinner-for-four at Appleby’s. In fine art galleries, the prints themselves would go for significantly more than this version (by a 100 to 1 ratio), and indeed, there is a $10,000 version of this project, in case you want something a bit more grand. For what one receives, the price here is a great deal.

1 of 1 people found the following review helpful. Edgeland By Robin There are only fifty-two photos in this two-books-in-one publication, some are really fascinating and pull you into the frame but with so few photos the also rans seem to overwhelm the excellent ones. Both books look at contemporary housing developments in the south eastern Las Vegas area. Because the landscape, in parts, is hilly developers had to flatten out the land by creating a series of turning terraces with the obligatory curving roads linking them together. A few of these terrace photos make the land look quite extraordinary, the precision of the lots contrasting with the natural look of the non-vegetation hills.With only two types of photos: terracing and homes, I thought the bird's eye view of housing provided the most interesting images. Because the heat really doesn't encourage outdoor living the properties more or less fill the whole lot with a minimum of space for a garden. McMansions with multiple roof-lines sit right next door to each other. A photo of Roma Hills gated community (which I saw recently used on a real estate website selling a still empty lot) shows the development neatly cut into the hillside. The houses all have trees surrounding them, none of which existed before the building. No solar panels or satellite dishes either, the community housing associations probably bans them. The building style here is faux northern Mediterranean and the road names like Valenzano Way, Tozzetti Lane or Latina Court reflecting the European aspiration in the Black Mountain developments.The twenty-six photos of the Lake Las Vegas (it's actually a reservoir) area continues the Mediterranean feel with Strada di Villaggio, Via Tiberius Way, Mezza Luna Court, Camino Barcelona Place street names and perhaps even more flamboyant properties (palace might be a more accurate word for one or two of these) inside the many private communities. The speculative nature of these developments is indicated by the many unbuilt lots clearly seen in the photos.I've given the publication three stars because of the uneven flow of the photos, with only fifty-two there are thirty that basically show terracing and the empty landscape, some of these, as I've said, are remarkable but surely no more than ten or so would covered this leaving the rest to reveal the visually much more interesting ongoing property developments. Three stars also (or should that be two?) for the hopelessly non-professional way the captions in the back pages have been presented to the reader. Instead of an obvious color thumbnail of each spread, so it can be found easily, there is an outline box containing a thin drawn line of the significant contour shape from each photo -- this is pure designer whimsey and next to useless in finding a caption efficiently, also the twenty-six captions are needlessly spread over six pages in both books, one spread in each would have been enough.**You can spend an interesting bit of time looking at the houses in the Ascaya and Lake Las Vegas areas with Street View and though the Google camera-car wasn't allowed into the gated communities switch to Bing maps for bird's eye views of these and remaining unbuilt terraces.

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Michael Light: Lake Las Vegas/Black Mountain, by Rebecca Solnit, Lucy Lippard

Michael Light: Lake Las Vegas/Black Mountain, by Rebecca Solnit, Lucy Lippard

Michael Light: Lake Las Vegas/Black Mountain, by Rebecca Solnit, Lucy Lippard
Michael Light: Lake Las Vegas/Black Mountain, by Rebecca Solnit, Lucy Lippard

Too Much on the Inside (Quattro Fiction), by Danila Botha

Too Much on the Inside (Quattro Fiction), by Danila Botha

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Too Much on the Inside (Quattro Fiction), by Danila Botha

Too Much on the Inside (Quattro Fiction), by Danila Botha



Too Much on the Inside (Quattro Fiction), by Danila Botha

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Too Much on the Inside explores the depths of coincidence and human connection, as they collide with the impossible task of forgetting the past. Three immigrants, and one Canadian from rural Nova Scotia, all in their twenties, are soon to discover their interconnected fates. They are world travellers, escapists and dreamers, at a crossroads on Toronto 's Queen Street West, the setting for this novel and its quartet of voices. While each will experience love, culture shock and joy, it's their unique periphery that draws readers into their emotional worlds and orients them to the realities of life in countries as diverse as South Africa, Israel and Brazil. Too Much on the Inside is a human cross-section of romance, solitude and perseverance in the vein of such contemporary novels as Jennifer Egan's A Visit from the Goon Squad, Camilla Gibb's family saga The Petty Details of So and So's Life, and J.M. Coetzee's Disgrace, mixed with Botha's own sensitive style and charm.

Too Much on the Inside (Quattro Fiction), by Danila Botha

  • Amazon Sales Rank: #1564541 in Books
  • Brand: Botha, Danila
  • Published on: 2015-05-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .60" w x 5.40" l, .70 pounds
  • Binding: Paperback
  • 230 pages
Too Much on the Inside (Quattro Fiction), by Danila Botha

About the Author Danila Botha was born in South Africa, and has lived in Israel and Nova Scotia. She studied Creative Writing at York University and Humber College for Writers. Her first book, the collection of stories Got No Secrets, was published by Tightrope Books in 2010, and by Modjaji Books in South Africa. Her writing has appeared in The National Post, Broken Pencil Magazine, Joyland, and more. Too Much on the Inside is her first novel.


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0 of 0 people found the following review helpful. A Great First Novel! By James M. Fisher While Too Much on the Inside may not be a book I would have picked up for my own reading pleasure, I found myself being drawn into it for several reasons. Firstly, I lived in Toronto for about 20 years, some of those spent in the Queen Street West area of Parkdale close to where Dez' bar is located. I recognized the street names and could picture the scenes in my mind's eye. I also lived near the Bathurst and Lawrence area where the character Nicki stays when she first arrives in Canada. It is a very Jewish neighbourhood where her orthodox cousins live. Thirdly, Ms. Botha's writing style as well as the book's unique layout drew me in which is difficult to describe. Due to the narrative style, I at times felt like a psychiatrist and each of the characters were my patients, each using their scheduled appointment to relate their emotions and deepest thoughts to me. Indeed, many of the narratives conclude with comments like: "Sometimes he doesn't get me at all" "The times I spend living instead of thinking are the times that I convince myself that I'm the happiest" "I start to think that I might really be going out of my mind".At other times, I felt like a priest hearing a confessional. It is a very engaging writing style, and not one I have come across before. The story of each character unfolds in a sort of backwards/forwards kind of way. As we learn about their past, the story actually moves forward and we eventually come to understand if not empathizing or even sympathizing with the character and his/her problems..You can read more of my review at: www.MiramichiReader.ca

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Too Much on the Inside (Quattro Fiction), by Danila Botha

Too Much on the Inside (Quattro Fiction), by Danila Botha

Too Much on the Inside (Quattro Fiction), by Danila Botha
Too Much on the Inside (Quattro Fiction), by Danila Botha

Rabu, 24 Juli 2013

Falling In Love (A Commissario Guido Brunetti Mystery), by Donna Leon

Falling In Love (A Commissario Guido Brunetti Mystery), by Donna Leon

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Falling In Love (A Commissario Guido Brunetti Mystery), by Donna Leon

Falling In Love (A Commissario Guido Brunetti Mystery), by Donna Leon



Falling In Love (A Commissario Guido Brunetti Mystery), by Donna Leon

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A New York Times Bestselling AuthorYears after Commissario Guido Brunetti cleared her name in a murder investigation, Flavia Petrelli returns to Venice and La Fenice to sing the lead in Tosca. When Brunetti and his wife attend an early performance, Flavia receives a standing ovation. Back in her dressing room she finds, once again, too many bouquets of yellow roses from an anonymous fan. Flavia no longer feels flattered by these gifts. And Brunetti begins to think her fears are justified.

Falling In Love (A Commissario Guido Brunetti Mystery), by Donna Leon

  • Amazon Sales Rank: #2709351 in Books
  • Published on: 2015-05-06
  • Format: Large Print
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.10" h x 5.70" w x 8.60" l, .0 pounds
  • Binding: Hardcover
  • 361 pages
Falling In Love (A Commissario Guido Brunetti Mystery), by Donna Leon

Review "Donna Leon's deft and descriptive words do for Venice what Canaletto did for this serenest of cities with his brushes and paint palette and bring it to life in all its reach and colourful gaiety...[An] intriguing tense thriller. The ending is to die for." Daily Express "This is Leon at her best ... Her writing is as ever subtle and elliptical and conversations and people always have multiple layers which often only reveal themselves on second reading ... This is a compelling read and kept me up long past my usual bed time as I just had to finish it to find out what happened. The nail biting finale was well worth staying up for." JillySheep "The star of the story is Venice itself and Donna Leon, who has lived there for thirty years, brings the city to life ... I read the book in two sittings ... glued to the page as the tension ramped up - and everything came to a very satisfying finale." The Book Bag "The author provides us once again with an entertaining mystery and an opportunity to catch up with the estimable Guido Brunetti. Leon never disappoints." Crimesquad "As always, a gentle and intriguing look at life in Venice, the vagaries of the police force, and a sharp and clever investigation from Brunetti mixed in a delightful way, is at the heart of this novel. Another enjoyable outing for this complex, intelligent detective." Eurocrime

About the Author Donna Leon was named by The Times as one of the 50 Greatest Crime Writers. She is an award-winning crime novelist, celebrated for the bestselling Brunetti series. Donna has lived in Venice for thirty years and previously lived in Switzerland, Saudi Arabia, Iran and China, where she worked as a teacher. Donna's books have been translated into 35 languages and have been published around the world. Her previous novels featuring Commissario Brunetti have all been highly acclaimed; including Friends in High Places, which won the CWA Macallan Silver Dagger for Fiction, Fatal Remedies, Doctored Evidence, A Sea of Troubles and Beastly Things.


Falling In Love (A Commissario Guido Brunetti Mystery), by Donna Leon

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56 of 59 people found the following review helpful. The Opera of the Phantom By takingadayoff Donna Leon's mysteries are not your standard police procedural see-if-you-can-solve-the-crime stories. You are not going to be able to figure this one out, so just let the (mostly) congenial gang at the Questura (police department) handle the investigation and enjoy the gondola ride through Venice.If you're a regular reader of Donna Leon, you'll enjoy the banter between Guido and his wife, Paola, and between Guido and his colleagues. If you are new to these mysteries, you will no doubt find the pace slow and the mystery so subtle as to be nearly nonexistent. The pace is something that comes with the territory, which is of course, Venice, nicknamed La Serenissima, The Serene One. No car chases here.The drama in Falling in Love is provided by the opera Tosca, which features the center of our attention, Flavia Petrelli, a diva that Guido met in the very first mystery in the series, Death at La Fenice. Back for another encore (she appeared in at least one additional book), Flavia is feeling stalked by an anonymous fan who is leaving her too many flowers and giving her ostentatious gifts. Guido isn't too concerned until another singer that Flavia has recently met is assaulted and left for dead.The action picks up in the second act and as the music reaches a crescendo, there's a dramatic confrontation that threatens to mimic the opera's tragic ending. Meanwhile, back at the Questura, the usually hyper-efficient Signorina Elettra makes a wrong move in her computer hacking and may have jeopardized her own career as well as Guido's and several others.So, plenty of atmosphere, banter, Venetian delicacies, opera, and yes, even a mystery thrown in for good measure.(Thanks to NetGalley and Grove Atlantic for a digital review copy.)

18 of 18 people found the following review helpful. Not FALLING IN LOVE quite as much as I hoped By Corgi Lover I have been on a Donna Leon binge the past nine months and read all of her Guido Brunetti novels and been dazzled by the insights, the psychological detail, the complexity of characters and their actions and the native's view of Venice. FALLING IN LOVE is the first time I've been disappointed. The villain of this particular novel is not given the intelligence and creativity to pull off the things that are pulled off. In fact the villain is rather a dullard who doesn't understand things said or done to the villain. Anyway, I'm grateful to Ms. Leon for Detective Brunetti, his family and his co-workers and the rich world she made for them to inhabit.A pet peeve: In ALL of the novels at the beginning there is a quote from a libretto of a famous opera. Ms. Leon always credits the composer but never the actual librettist who wrote the words. A sad thing for a writer to do.

22 of 24 people found the following review helpful. Wonderful Addition By Toni Osborne Book 24, in the Commissario Guido Brunetti MysteryThe mystery brings back Italian Soprano Flavia Petrelli to Venice to sing the lead role in Tosca. Fans of this series will remember we first met her in “Death at La Fenice”, and later when she reappeared in “Acqua Alta”. In this latest our Diva gets overwhelmed by the worship of an obsessive fan that trails her everywhere and inundates her with yellow roses and expensive gifts. Flavia gets very concerns for her safety when people around her are found injured and asks Guido Brunetti, a long-time friend, to get to the bottom of this mystery.I am a huge follower of this author so I knew “Falling in Love” would have a slow pace and be a crafty mystery without car chases or gruesome murders. It would also titillate us with a leisurely ride along the Venice canal with many descriptions of this seductive city great lagoons and luscious taste and smell. Ms. Leon has always made room in her books to make us savour all of the city’s charms and delicacies. A mystery would be boring without a good theme and some suspense, Ms. Leon has fictionalized events she read in the news or experienced in life and has sprung fascinating stories where the truth gets distorted for our enjoyment. Of course Guido with all his ingenuity and assisted by colleagues at their best track down the suspect and the culprit is found and all ends well.Once again this latest is a great read and a wonderful addition to a terrific series.My thanks to NetGalley and to Grove Atlantic for the opportunity to read this book

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Falling In Love (A Commissario Guido Brunetti Mystery), by Donna Leon
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Clad in Armour of Radiant White, by Rosaline Riley

Clad in Armour of Radiant White, by Rosaline Riley

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Clad in Armour of Radiant White, by Rosaline Riley

Clad in Armour of Radiant White, by Rosaline Riley



Clad in Armour of Radiant White, by Rosaline Riley

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Friendship, religion, sexual awakening, love, loss and longing. Set in Lancashire in the 1950s and 1960s, this is an engaging – and often humorous – novel about the joys and sorrows of growing up. It is September 1959 and two significant things happen to eleven year old Ellen McCann; she goes to the Convent school in the neighbouring town of Turneley where she meets Erica Latimer, and, back at home, she falls in love with Michael Chadwell. During the months and years that follow, her school life and her home life continue along parallel tracks. Her friendship with Erica develops and intensifies, and she gets drawn into a series of Latimer family intrigues and revelations which – ultimately and unexpectedly – lead to tragedy. Meanwhile, her childhood love for Michael Chadwell appears to have run its course. Or has it? She leaves for university in September 1966, looking forward to the opportunities that lie ahead – but still grieving over the losses she has incurred along the way.

Clad in Armour of Radiant White, by Rosaline Riley

  • Amazon Sales Rank: #2414057 in eBooks
  • Published on: 2015-05-27
  • Released on: 2015-05-27
  • Format: Kindle eBook
Clad in Armour of Radiant White, by Rosaline Riley


Clad in Armour of Radiant White, by Rosaline Riley

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0 of 0 people found the following review helpful. Accurately Depicts The Process Of Growing Up By Awesome Indies Reviews Clad in Armour Of Radiant White is one of those rare books that accurately depicts the process of growing up and, more specifically, how we internalize important events that we experience in order to become who we are as adults. Many coming-of-age tales are vehicles to discuss the age in which they take place. This one (which takes place in Lancashire, UK during the 50s and 60s, a fertile environment) uses the incredible events of the era as a subtle backdrop for the story of Ellen, a young Catholic schoolgirl. While some religious elements come into play, this is much more a story of love, loss and growth.Ellen goes to an all-girl school that is commonly referred to as “The Convent”, where she is an above-average student who is infatuated with a boy named Michael. Like Ellen, all of the other girls around her age are also beginning to date boys, and the details of these courtship rituals make up a large part of the narrative. Ellen’s best friend is Erica, and through their relationship we learn about the fragility of young love and the impermanence of adolescent friendship.The religious aspects of the book mostly deal with Ellen’s interpretations. She is a young Catholic girl who at times questions her faith and tries to be a good Christian while still knowingly committing what she views as sins. Ellen and her friends are not prepared to deal with any of the realities of the world (indeed, the only real information they get about “sex-ual inter-course” is through a pamphlet about menstruation handed out by a nun), so it comes as no surprise when a tragedy occurs and the children are blindsided by it. The Catholic community that the book portrays will feel very familiar to most, and the secondary and tertiary cast is brought to life in an engaging way. Clad in Armour of Radiant White is very much the story of the complexity of adult relationships seen through the eyes of confused Catholic children. Ellen’s perpetual Catholic guilt also makes up a large part of the story.Sex and puberty are often discussed by the characters in the book, and one could make the argument that Ellen and her friends are boy crazy. They rarely talk about anything else, and the reader should be prepared for that, but this serves to characterize them enough to make the events of the book (which almost all deal with relationships and sex) and the characters’ reactions to them understandable. What sexuality has to do with Catholicism is lightly explored, but usually amounts to the young characters quickly making up their own rules to follow and debating what constitutes a sinful act.While the book accomplishes its goal beautifully and brilliantly, I could also see how some might criticize the book for its lack of action. This is a book in which nothing out-of-the-ordinary happens until the very last few pages. For the vast majority of the book, no one ever really acts out of character and the dramatic stakes are never higher than what any average person will experience growing up. I can see how some readers might be turned off by this approach, but it allows the book to be clearly anchored in reality. Ellen is not Tom Sawyer or Ender Wiggin. She is a regular, confused Catholic girl growing up in the sixties. I can see this book appealing the most to female teenagers, but anyone who is interested in experiencing the perspective of growing up Catholic in Lancashire in the 50s and 60s are going to get exactly what they’re looking for. 4.5 Stars, rounded up to 5 for review purposes.Additional Note: The ending of the book, particularly the final twist, is incredibly confusing. It is impossible to discuss the ending without spoiling the events of the book, but it is left open-ended in a way that casts a very dark shadow over Ellen, seemingly out of nowhere. The main character’s motives are left intentionally ambiguous and as a result it is difficult to tell if the apparent shift in tone has been steadily building the whole time or if this character is simply not who we think she is. While unclear, I think it works perfectly for the book, and have deducted no points for the way the ending is presented.

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Selasa, 23 Juli 2013

The End of Empire: Napoleon's 1814 Campaign, by George F. Nafziger

The End of Empire: Napoleon's 1814 Campaign, by George F. Nafziger

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The End of Empire: Napoleon's 1814 Campaign, by George F. Nafziger

The End of Empire: Napoleon's 1814 Campaign, by George F. Nafziger



The End of Empire: Napoleon's 1814 Campaign, by George F. Nafziger

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"The End of Empire" is a continuation of Nafziger’s definitive military studies of the Napoleonic era beginning with the 1812 campaign and progressing through the 1813 campaign. Having suffered a massive reversal of fortunes in Russia Napoleon found himself confronted, in Germany, by the combined forces of Russia, Prussia, and Austria. After the disaster of Leipzig Napoleon’s German allies fell away and he was forced to fall back, beyond the borders of France. Offered a negotiated peace on the basis of a return to the pre-1792 borders, Napoleon chose to continue to fight, trusting in his star. He was, however, desperate for troops and short of horses and cash. Cornered and threatened by three armies invading from the north, northeast, and east, every chance to stop the Allies had to be taken and there was desperate battle after desperate battle. Of all his campaigns, Napoleon’s 1814 campaign was one of his most brilliant. Eventually, after several terrible defeats, the Allies refused to engage him in battle when he confronted them. Instead they pushed their other two armies forward, slowly driving him back as he rushed to block the advance of the other armies on Paris. This strategy proved successful and eventually Napoleon was obliged to abdicate when his marshals refused to fight further. "The End of Empire" includes a detailed text, specially commissioned maps and the author's trademark extensive orders of battle.REVIEWS “ … fascinating. Nafziger does not shy away from describing Napoleon’s occasional mishaps …” Military History Monthly‘George Nafziger has consulted all authorities, considered the evidence, and gives a sound narrative and analysis of the fighting, with clear maps and good illustrations.’ Soldier Magazine, July 2015

The End of Empire: Napoleon's 1814 Campaign, by George F. Nafziger

  • Amazon Sales Rank: #859907 in Books
  • Brand: Nafziger, George F.
  • Published on: 2015-06-05
  • Original language: English
  • Number of items: 1
  • Dimensions: .79" h x 6.14" w x 9.21" l, .0 pounds
  • Binding: Hardcover
  • 768 pages
The End of Empire: Napoleon's 1814 Campaign, by George F. Nafziger

About the Author GEORGE F. NAFZIGER, USNR-Ret., has authored numerous books and articles on the subject of military history. Nafziger is a former Director of the Napoleonic Society of America and the Napoleonic Alliance. He is also owner of The Nafziger Collection, a publishing house specializing in the Napoleonic Wars and World War II history.


The End of Empire: Napoleon's 1814 Campaign, by George F. Nafziger

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4 of 4 people found the following review helpful. Finally a book that really covers the battles By THOMAS E. BOOKWALTER Napoleon’s 1814 campaign in France has fascinated me for decades. Unfortunately, there has been very little on it in the English language that went into any tactical detail. George Nafziger has now filled that virtual void.This book brings many battles to life. Instead of a few short paragraphs, these battle have pages devoted to them. In the past, my experience with reading on this campaign has been so heavily on the strategic level that it would become boring, reading about who marched where, but not any detailed battle accounts of what happened when they got there. This book covers the major battles (and some minor ones) in more detail than I have seen elsewhere in English.In this campaign, more than any other, the Imperial Guard, Old, Middle and Young were in the thick of it. Their exploits are well covered in End of Empire.Both students of military history and wargamers should find this book of great interest. Oftentimes the detail goes down to the battalion level. The battlefield maps are excellent for wargamers as there is enough detail to reproduce the key features on your table, but not so much that they are overwhelming or cluttered.The orders of battle, both as appendices and those within the text, are a wealth of knowledge in themselves.If a reader has an interest in this campaign, this book is essential. Admittedly, as mentioned before this review, there are a number of errors that could have and should have been corrected. Only due to those errors, did I not give the book five stars. However, taken as a whole, the book is still magnificent and I know of nothing that can come close to equaling it on this subject.

6 of 8 people found the following review helpful. The Grand Tactical Historian/Wargamers bible By Warwick Louth WowWhat can I say? A book that could challenge/be put alongside Chandler’s “The Campaigns of Napoleon? Nafziger has done this. In military history circles it is claimed Napoleon’s 1814 campaign was among his finest-the tactical: logistical ratio constantly being balanced has obvious conotations with the end of the Second World War in Germany-yet it is interesting that this has been addressed so little in the English language or indeed by previous publications. A cobbled together army, marshals deserting or trading position left right and centre, it should have been a foregone conclusion and yet Allied staff incompetence came to the fore yet again. Populist argument tends to have the central European war end at Leipzig, reintroduced with Wellington’s invasion of France and Toulouse. This book is revisionist in its outlook for taking the challenge of taking on such a less supported theatre and breaking it down into its strategic components. For the grand tactical wargamer, military student and military historian it has all the detail you will ever need to inhabit or understand the turnings, events and nature of these battles. Fully annotated orders of battle mean we never have to assume unit sizes and positions again. Something to be kept next to the wargames table for those new scenarios perhaps?Criticisms:The occasional mistake or confusion might pop in referring to individual positioning of movements or corps-the book is not meant as button counters bible to this campaign-Nafziger approaches the work as a grand tactical, statistical account, rather than a heads down analysis of that is going to get every statistical positioning correct. Future editions of this work may well correct them, it is not for me to judge. I would also argue, while there is a plethora of maps, my one criticism is their half page layout, which can prove slightly difficult to follow. It could be worse, there could be no maps at all, but just that added edge. Americanism's crop in-it was written by an American, the meaning of the subject is not lost, such phonetical mistakes can be overlooked, just as much as the occasional substitution of a meaning of one word for another, making an odd sentence, will likely creep in-it is a 700 page book.Overall a revisionist title, for those who like to know the full details of grand tactical logistics, organisation and movement, with well researched lists and statistics, this addresses an oft forgotten campaign with the treatment it deserves. The ability to ere my eye away from the current project on the painting desk, to the distant columns of a French Corps de Battaile shows that the book certainly has the desired effect. Highly recommended

8 of 11 people found the following review helpful. A book full of quantity and quality-a definite must have By Mr. John Walsh This book contains everything the military enthusiast or wargamer desires in a title covering one of the most fascinating campaigns of the Napoleonic period. There must be over twenty battles and actions described, with many of them being lengthy and detailed accounts. They make for exciting reading and so much so, that I really found it hard to put down. And then there is the added bonus of the actions being accompanied by detailed Orders of Battle, not to mention the vital element on losses and casualties, without which no account is complete and a clear picture of what happened and the effect caused cannot be obtained. But this title has everything. The political scene is also observed, including the impossibility of a peace treaty being gained due all attempts at agreeing one being affected by bad timing, in which each side wanted to negotiate from strength when either Napoleon or the Allies won a battle. We also see clearly the problems and odds facing Napoleon and the dwindling French army, and the growing incompetence of the Allies, who should have had everything wrapped up, but had the reassurance of their continual growth in numbers which made it all too clear what the end result would be. A wonderful book and highly recommended, and my only negative criticism would be regarding some of the maps. This book is slightly smaller in page size, compared for example to some of the author's previous works, such as his brilliant title Napoleon at Dresden, and some of the maps, although good, only cover half a page. There are a few typing errors but these can be found in all books. And for value, quality and quantity, I doubt anyone would find a better title. The author's work ranks alongside the greats of action accounts like Gill and Makaberidze. I would advise new authors to read this book and learn, if they ever want to reach the same level.

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The End of Empire: Napoleon's 1814 Campaign, by George F. Nafziger
The End of Empire: Napoleon's 1814 Campaign, by George F. Nafziger

Minggu, 21 Juli 2013

Nobody Special: The Death of Johnny Salinger, by Jack Deadmen

Nobody Special: The Death of Johnny Salinger, by Jack Deadmen

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Nobody Special: The Death of Johnny Salinger, by Jack Deadmen

Nobody Special: The Death of Johnny Salinger, by Jack Deadmen



Nobody Special: The Death of Johnny Salinger, by Jack Deadmen

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Set in 1993, Nobody Special: The Death of Johnny Salinger chronicles the last night of the iconic poet as he struggles to end his haunted past or salvage himself from the crash and burn of living in a state of desolation and terminal sadness for too long. Psychologically trapped in his room and hiding from the chaos of a massive New Years Eve party where over-zealous hangers-on have turned his home into a hostel for degenerates, Salinger challenges Fate to decide the outcome of his contemplated suicide as he pens a poignant epitaph for a generation that celebrated the belief that it was the last, and laments the 1980's SoCal Punk scene and lifestyle. Through sincere prose, he exhumes the deep and lyrical themes of the Punk and Beat Poet subcultures to create a poetic tribute to the tragic end of a doomed era and the death of an elusive American Dream. It's an anti-hero's emotional descent into a white-hot madness to convince the audience in his mind that everything is special, everything matters, and that "Sometimes, life's greatest mystery is ourselves."

Nobody Special: The Death of Johnny Salinger, by Jack Deadmen

  • Amazon Sales Rank: #2227734 in eBooks
  • Published on: 2015-05-18
  • Released on: 2015-05-18
  • Format: Kindle eBook
Nobody Special: The Death of Johnny Salinger, by Jack Deadmen

Review "...very intense and instantly grabs your attention ... intriguing to say the least. This book is reality writing. A great read indeed." - Punk Globe Magazine

About the Author Jack Deadmen is the author of Nobody Special: The Death of Johnny Salinger, and the follow-up prequel novel: Cursed is the Road to the American Dream. He has penned one stage play (Redemption) and nine screenplays (including Wheatfield with Crows, co-written with director Brent Roske). He is the founder of A Raven Desk Tome, and co-founder of Dystopian Pictures. A former member of the Working Filmmaker's Group (Hollywood) and the American Federation of Film Producers (Los Angeles), he has been a member of the Screen Actor's Guild since 1993. Jack Deadmen is most notably a member of the SoCal-based underground poet society "Canaries in the Mine." Born in Southern California, he currently lives in Pennsylvania near Pittsburgh. He is married and has two daughters.


Nobody Special: The Death of Johnny Salinger, by Jack Deadmen

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4 of 4 people found the following review helpful. Buy it - you will not regret taking the chance! By B. T. Harwood This is not your standard, formulaic, happy feel good narrative. With that said, I found this to be one of the more intriguing reads I have ever gotten my hands on. The prose is unlike any I have read before. The author really gives you a glimpse into another person's mind, I mean he really takes you there, and it is a very different lens to look at the world through. The use of metapor gets a little heavy in some parts, but creatively this is a gem. Overall this is an excellent read. I give it five stars both for originality and ease of reading. Well done!

2 of 2 people found the following review helpful. A Poet's Valediction By Jym Cherry Jack Deadmen's "Nobody Special: The Death of Johnny Salinger" is one night in a poet's life, the night he decides to die. Johnny Salinger is a poet who may have achieved fame and success too early in life and decides he can't deal with his life any more. He has set it up that he's only one doorway away from someone saving his life, the question is, will anybody open that door?Johnny Salinger is a rarity, a poet in the Lord Byron vein, young, lauded for his literary gifts both by critics and the general public, and damned, by his own words and actions, he seems more an amalgam of poets from past generations and a rock star, but rock stars have become our poets and voices of our generations. Jim Morrison wrote "words got me the wound and will get me better, if you can believe it," Salinger has the same conflict as Morrison, the hope that he can write his way out of his existential angst, but also the sinking feeling of skepticism about his ability to write his way out of it. Salinger has set the scene of his suicide in one of the rooms of his mansion while a party rages on just outside his door, and has committed himself to die unless someone, anyone can prove they care enough about him to just come into the room.Through the narrative we learn that Salinger has lived a life without regrets, he has lived his life to the fullest, taken advantage of the opportunities and people that have come into his life, but his discovery is that living a life without regrets only leads to another set of regrets. The story takes the form of diary entries, poems and even an internal screenplay, at first the negatively connotated phrase "throwing everything in including the kitchen sink" may come to mind, and in the hands of a lesser writer you may be right. But what Salinger and Deadmen have done is divide up Salinger's psyche as he watches the movie in his mind of his indiscretions. Deadmen is still going to throw everything he has at you, but Deadmen is a good writer bordering on great and in his hands, these tools are used skillfully to give you the sense of Salinger, the decadence he has courted that has brought him to this point. One startling example of this is a description of a huge snake and crows that comes close to rivaling Jack Kerouac's "Dr. Sax" vision of a huge snake whose skin splits open to reveal it is only a husk hiding a flock of doves.Some have classified this as experimental writing but don't let this scare you, good writing is good writing, and while Deadmen isn't going to lead you down a traditional path the journey is worth the cost of the trip. "Nobody Special: The Death of Johnny Salinger" may be an opportunity to see a young writer who has mastered the basics and now dares to take himself and his readers that one step beyond to an emerging writer that is someone to watch and read.Note: The Kindle version has some issues with formatting, at first I thought it was part of Deadmen's technique, it turned out that it wasn't despite that "Nobody Special" is still worth the time and money to read.

1 of 1 people found the following review helpful. An amazing carnival ride! By Serendipity77 This well written, amazing book is a must read! Jump in to the life of Johnny Salinger and buckle up your seat belt, it's a crazy ride.

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Nobody Special: The Death of Johnny Salinger, by Jack Deadmen
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Jumat, 19 Juli 2013

Nobody Walks, by Mick Herron

Nobody Walks, by Mick Herron

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Nobody Walks, by Mick Herron

Nobody Walks, by Mick Herron



Nobody Walks, by Mick Herron

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Tom Bettany is working at a meat processing plant in France when he gets a voicemail telling him that his estranged 26-year-old son is dead.

Liam Bettany fell from his London balcony, where he was smoking dope. Now for the first time since he cut all ties years ago, Bettany returns home to find out the truth about his son's death.

But more than a few people are interested to hear Bettany is back in town. He might have thought he'd left it all behind when he first skipped town, but nobody really just walks away.

Nobody Walks, by Mick Herron

  • Amazon Sales Rank: #169594 in Audible
  • Published on: 2015-05-11
  • Format: Unabridged
  • Original language: English
  • Running time: 412 minutes
Nobody Walks, by Mick Herron


Nobody Walks, by Mick Herron

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10 of 11 people found the following review helpful. Shades By prisrob Every once in awhile, you come across a book that absolutely enthralls you, this is one of those books. The author, Mick Herron, has a writing skill that encompasses his characters from the get go. A book very difficult to put down, and when it ended, I sat and thought, I hope this becomes a series.Tom Bettany, an ex-MI5 agent, had enough of his old life, and moved with his wife and son away from the limelight. After his wife died, Tom and his son, Liam, became estranged, and Tom moved onto butchering cows for a living. This information is not relayed until well into the novel. We know Tom receives two phone messages, one from a London policeman wanting to speak to him about his son, and one from a young woman, Felicity Pointer, telling him Liam was dead. Tom quickly goes to London from his old workplace in France. There he finds himself immersed in his old world. One thing he knows for sure, his son did not kill himself but was murdered. Little clues fill the space. This is a novel for you to read and discover and to walk with Tom Bettany all over London, putting two and two together. Meeting with old sources, dangerous men, and those who work in high places in MI-5.It must be that the author knows one or two spies. He has such insight into how their mind works, and what intuition and what a read of the eyes belie. He knows the streets and byways of London, the clubs, the grungy little food places, the new game designers, the computerized games that are all the rage, the money that flows easily between one set and another. The way of the spy world, how to deflect any interest, how to stay out of the game. But most of all, what it takes to love your boy, and know that you will never have the chance to tell him.Highly Recommended. prisrob 01-24-15

3 of 3 people found the following review helpful. "It was like holding a puzzle cube. He hadn't got it right yet." By S. McGee When Tom Bettany's estranged son, Liam, dies in fall from a London balcony after smoking a particularly strong form of pot, Bettany -- a former spook who has been working off the grid in a French abbatoir -- believes he has found something amiss in the evidence. Someone, he decides, must pay for his son's murder -- for murder it is, of some kind, he has concluded.And so begins a dark and suspenseful yarn that ends up entangling Bettany with a bunch of Estonian drug dealers, the Irish gun runners that he betrayed during his days undercover as an intelligence officer, Liam's former colleagues at a successful gaming company and his own former employers at a spy agency that Mick Herron seems to intend to be MI-5, run by an intimidatingly ugly and manipulative woman, Dame Ingrid Tearney. It's a tale of smoke and mirrors, where what you think you see isn't necessarily the truth -- and where even Bettany's sixth and seventh sense and awareness of threats may not be enough to save him, even if he is able to bring justice to Liam.This was a fast-paced novel that held my attention, but that I never really fell in love with it. It's edgy, and Herron lets his character's actions speak for them. That's fine when it's Bettany -- of whose actions we see a lot -- but it does reduce the secondary characters to walk-on roles in the novel. Moreover, Bettany ended up feeling like a one-note character to me. Yes, he's compelling and dark, but his interactions with others are all of one nature: he demands information of one kind or another. While such a suspenseful story could never feel flat, the character of Bettany himself did feel predictable.While the novel was intriguing enough, I don't think there's a lot here that will stick with me. Even the London settings aren't drawn very vividly. It's a taut action thriller, and those who love those will find a lot here to admire, especially since the writing is well above par for the genre. I prefer something with a bit more nuance and subtlety, though. The subtlety that does exist here lies in the layers of deception in the plot that Bettany must uncover, which is clever and adroit; I like to see it in the characters and their interactions as well, however, and here that fails.3.5 stars, rounded up because of the writing. Didn't enjoy it enough to seek out more by Mick Herron.

2 of 2 people found the following review helpful. AND THE BEAT GOES ON By Red Rock Bookworm Author Mick Herron's Nobody Walks is rugged, resilient and somber, much like its anti-hero Tom Bettany. It is a tale of a man with a secret and often violent past as an MI5 operative who, years before, left his family and his clandestine past to work in a meat packing plant in France. He thought that he had put his previous life behind him but now he has received a call informing him of his estranged sons mysterious death and is compelled to try to make up for things left undone and unsaid by returning to England to investigate. He realizes that this act could put his life in jeopardy and unfortunately it does when his probing brings him face to face with people from his cloak and dagger past.It is difficult to distinguish the good guys from the bad guys in this tale since each and every character is self absorbed and dedicated to their own agenda. From drug kings, to a video developer to Tom's former MI5 boss, all of the characters in this tale of regret and revenge are pretty slimy and hard to like.This dark, emotional and action filled tale, complete with its fantastic climax, is one that most readers will find it difficult to walk away from. Reading NOBODY WALKS is akin to having dinner with writers Ian Fleming and Len Deighton and having Red from T.V's BLACKLIST drop by for dessert. 4 1/2 stars

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Nobody Walks, by Mick Herron

Nobody Walks, by Mick Herron

Nobody Walks, by Mick Herron
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Rabu, 17 Juli 2013

Gumption: Relighting the Torch of Freedom with America's Gutsiest Troublemakers, by Nick Offerman

Gumption: Relighting the Torch of Freedom with America's Gutsiest Troublemakers, by Nick Offerman

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Gumption: Relighting the Torch of Freedom with America's Gutsiest Troublemakers, by Nick Offerman

Gumption: Relighting the Torch of Freedom with America's Gutsiest Troublemakers, by Nick Offerman



Gumption: Relighting the Torch of Freedom with America's Gutsiest Troublemakers, by Nick Offerman

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The star of Parks and Recreation and author of the New York Times bestseller Paddle Your Own Canoe returns with a second book that humorously highlights twenty-one figures from our nation’s history, from her inception to present day—Nick’s personal pantheon of “great Americans.”To millions of people, Nick Offerman is America. Both Nick and his character, Ron Swanson, are known for their humor and patriotism in equal measure.After the great success of his autobiography, Paddle Your Own Canoe, Offerman now focuses on the lives of those who inspired him. From George Washington to Willie Nelson, he describes twenty-one heroic figures and why they inspire in him such great meaning. He combines both serious history with light-hearted humor—comparing, say, Benjamin Franklin’s abstinence from daytime drinking to his own sage refusal to join his construction crew in getting plastered on the way to work. The subject matter also allows Offerman to expound upon his favorite topics, which readers love to hear—areas such as religion, politics, woodworking and handcrafting, agriculture, creativity, philosophy, fashion, and, of course, meat.

Gumption: Relighting the Torch of Freedom with America's Gutsiest Troublemakers, by Nick Offerman

  • Amazon Sales Rank: #30348 in Books
  • Brand: Dutton
  • Published on: 2015-05-26
  • Released on: 2015-05-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.26" h x 1.27" w x 6.31" l, .0 pounds
  • Binding: Hardcover
  • 400 pages
Gumption: Relighting the Torch of Freedom with America's Gutsiest Troublemakers, by Nick Offerman

Review Praise for Paddle Your Own Canoe: “[Offerman] explores his Paul Bunyan-like image with tongue-in-cheek lessons on manliness, complete with illustrations and advice . . . [and] hilarious anecdotes from his career.” —Entertainment Weekly “Take it from us; Offerman’s take on American history is worth reading.” —Vanity Fair “[T]hought-provoking, profane, and frequently hilarious.” —Publishers Weekly “Filled with advice on how to woo a woman, grill meat, and grow a perfect moustache, this book makes for perfect reading around the campfire.” —Parade “Just try to resist the myriad manly charms of . . . [Offerman’s] memoir about woodworking, eating, acting, cultivating the perfect moustache, and seducing Megan Mullally.” —Vulture.com

About the Author NICK OFFERMAN is an actor, humorist, and woodworker. He is married to the most beautiful and talented actress working today, Megan Mullally. They live in Los Angeles, California, with their poodles and an impressive collection of assorted wood clamps.

Excerpt. © Reprinted by permission. All rights reserved.

INTRODUCTION

How does one compile a list of great Americans? It’s an embarrassment of riches. To narrow the field, I decided to begin with my choice for number one. I imagine, or at least I would hope, that most of our citizenry would agree by an overwhelming percentage that the first person landing upon that list is—no, not Ray Kroc, the progenitor of the McShit sandwich. No, not Miley Cyrus or Beyoncé Knowles, or even Oprah Winfrey. Jesus! Goddamn. No, people, not Jesus! Yes, he was reportedly a supercool guy, but he just doesn’t qualify as an American. I am referring, of course, to George Washington. The father of our country. I want to note that, of all the possible subjects, he easily sprang to mind first, based merely on my foggy grade school knowledge of his life’s achievements in helping to create our republic and then sticking around to lead it as our nation’s first president. Plus, he had wooden teeth! I’m a woodworker! Slam dunk—a sports metaphor, specifically basketball, meaning that the point(s) has (have) been scored emphatically!

I then began a list of other possible great Americans, basing my selections upon achievements of one kind or another that I considered to be “great” in scope. Leaders of men and women. Leaders of 4-H clubs. Activists, artists, zealots. Woodworkers, boatbuilders, farmers. Musicians. Priests. Muckrakers. Stoners. Hillary. Because after all, for the purposes of my examination, what exactly constitutes a “great” American? Runs batted in? Military victories? Humanitarian efforts? Amassing wealth? Collecting scalps? A number one single on the Billboard charts? A larder full of bacon? Ford F-250 in the barn? Well, duh.

While I continued to compile a roster of potential icons and discuss the book’s overall direction with my great American editor, Jill, I began to read anew about Washington and the birth of our nation. I was powerfully stricken when I contemplated the actual situation in which our Founding Fathers found themselves, well, foundering: faced with the choice of either a continued subservience to an overweening Mother England or a gathering of their colonial brass balls in their mitts with which to cast off the taxing yoke of England’s imperial control. Years earlier, when I learned all this history as a lad in school, I suppose the full implications of the events were lost on me, as I was not yet wielding a complete grasp of adult responsibility or governmental culpability as it applies to our daily lives.

The magnificent sons of bitches who founded our United States truly brandished a courage that is hard to fathom and a serving of foresight that very well beggars my modern imagination. Washington, Thomas Jefferson, Benjamin Franklin, Alexander Hamilton, James Madison, and the like saw the extremely rare opportunity to create a new “American experiment,” one in which the best organizational techniques and brewing methods could be retained from the oldguard European governments, while discarding all the more unsavory trappings (clotted cream) of the monarchies and oligarchies they’d left behind “on the continent.” These forward thinkers envisioned a nation ruled “by the people, for the people,” founded on notions like “liberty and justice for all.” Now all they had to do was liberate themselves from the iron grip of the military equivalent of Dwayne “the Rock” Johnson that was eighteenth-century Great Britain.

As I will explore in the coming pages, our country’s inception had a lot of heroic nobility deservedly draped about its innovative framework, but it was also a series of events conducted by human beings, and so the intrepid experiment could not help but display some flaws as well. Not only were our fledgling American government and society crafted by human beings, but further, it must be noted with appropriate gravity, by all white dudes. With no small irony, the Declaration of Independence was composed, ratified, and signed by several Caucasian men, some of whom owned a great many slaves. If that wasn’t bad enough, the Native American tribes in the Ohio Country were being mercilessly murdered and/or driven off their ancestral lands so that “we” could eventually build the pastoral suburbs of Cleveland, an assemblage of neighborhoods that, it must be noted, really are quite leafy and serene, but are they worthy of genocide? That is precisely the stripe of conundrum I hope to probe in the following pages.

In their inaugural documents, our Founding Fathers framed a somewhat malleable structure as a means by which the population could govern itself, truly remarkable in its place and time, which allowed the citizens of the United States to set about building, in rather short order, the most prosperous and powerful nation in the world. The seemingly limitless wealth of natural resources in our stretch of North America allowed our predecessors to excel in many fields of industry and artistry, soon surpassing the manufacturing capabilities of their European fathers and the world at large. Our young society flourished, exhibiting a gaiety and “rascally” nature that the rest of the globe found (very) briefly adorable. This was our puppy phase. In many ways, an attitude of “free-thinking” grew fulsome and took root in the burgeoning states, finally logging some long-overdue advances in civil rights for every person residing under the Stars and Stripes. Or so we proclaimed, anyway.

This writing will endeavor to examine some examples of the ways in which we as Americans have used the powers of freedom bestowed upon us to become more decent as a people, which I believe was loosely the idea when the whole shebang got started. This book will also strive to cast a light on some instances in which we have not used our powers for good and have most assuredly not become more decent.

Beyond the inspiration of my chosen historical figures (who set the bar very high for us indeed), I will illustrate for you a group of idealists who have continued to pay homage to America’s foundational principles. In their varied lives of rigorous employment, these high-minded individuals have set a further fine example of just how much good may be accomplished with active eyes and loving observation. On many levels, this collection of visionaries has inspired me with selfless choices made for the good of all the people—not just the white guys—but I don’t want to get ahead of myself.

Bringing up the back of the bus are some pretty cool kids, all of whom make things like music, furniture, poetry, art, and laughter. In many ways, their creations enkindle within us the flames of gumption, as we seek each our own path to lead lives that enlarge and also depend upon the lives of others in America and beyond. Please enjoy my mixtape of great Americans, twenty-one in number, whom I sincerely hope will affect you like they do me—in a way that makes you examine your own God-given gumption and react accordingly, so that we may all end up with a little more decency and several more chuckles.

PART 1

1

Before I began reading about Washington in preparation for this book, I had a loose idea of his life and achievements based upon a mixed bag of remembered stories and images. The Emanuel Leutze painting of Washington’s historic crossing of the Delaware River on the night of December 25, 1776, has always stuck with me as a clear representation of his military chutzpah. Having rowed a lot of boats in my day, I was astonished to see these men rowing in a river full of large chunks of ice, which would obviously be incredibly uncomfortable and difficult, especially long before the advent of “boat fuel” (canned beer).

It was that image that cemented in my child’s mind the hardships that this man endured in the securing of our original freedoms, because if you had to row across an icy river at night, it meant that shit was pretty rough. Besides that noble image, I have always appreciated the two most well-known stories about Washington, which are the chopping down of the cherry tree and the story of his wooden teeth. Long before I knew that wood, especially American cherry, would play such an important role in my own life, I was charmed, along with the rest of the suckers, by the tale of Washington’s famous honesty in the great cherry tree caper.

The story has it that as a young boy, Washington was given a new hatchet. Now, I can tell you from experience that there is really nothing more fun for a young person who likes to spend time in the woods than either a sharp knife, for obvious reasons, or, just as obviously, a hammer, and by crikey, a hatchet combines the two into one devastating tool of destruction. There are very few surfaces inside the house or out that cannot be thoroughly butchered with an energetically brandished hatchet.

Our little George knew what he was about—he set to chopping everything within reach with his new hatchet, including his father’s favorite cherry tree. When questioned on the subject, George answered truthfully, “I cannot tell a lie. I chopped down the cherry tree.” His father was reportedly so moved by his son’s integrity, he chose not to punish him, stating that “honesty is worth much more than any number of cherry trees.”’Twas a winning anecdote, however apocryphal, displaying Washington’s pith from the get-go, written well after his death as part of a lionizing tribute to the great man.

Now, in hindsight, I could have shot holes in this story all day long. First of all, for a cherry tree to develop enough character, size, and, presumably, fruit yield to make it anybody’s “favorite” would take many years, with said tree developing a trunk that would be much too thick and sturdy to fall easy prey to a boy’s hatchet, no matter how robust the lad.

Second, the father of our country exhibited an adherence to the principles of gentility and politeness just about as soon as he could pee standing up (three months of age, legend has it). Little George would have known better than to destroy a fruit tree near the house, particularly one to which a family member had taken a shine. With his trademark good sense, he would have simply detoured several yards to the left of the cherry tree in question, entered the nearby forest, and made vast piles of wood chips with the chopping action of his hatchet upon any number of forest trees, deciduous or conifer, and nobody’s feelings would have been bruised in the least. I consider this particular tall tale debunked.

Now on to those storied wooden teeth. Everyone knows George Washington had terrible dental trouble, and so he had dentures made of wood, right? Wrong! Our first president did have a terribly rotten set of original teeth—while they lasted, that is, because he had lost them all by late middle age. His final lower molar served as the anchor for a full set of hinged dentures, upper and lower, until it, too, finally fell victim to the barber’s pliers, rendering our finest statesman completely toothless. As an avid eater of foodstuffs who loves to masticate red meat, not to mention the occasional churro, I shudder to imagine the complete loss of my chewing tackle.

Dentures of the period were often constructed of hard materials such as hippopotamus ivory, bone, or even actual human teeth, often “purchased” from slaves. Some of the organic materials used in eighteenth-century false teeth are suspected to have stained in a grainy pattern similar to wood, which seems to be the detail from whence that “wooden teeth” rumor sprang. More aggrandizing!

Whatever the story’s origin, I have to wonder why we would ever even begin to feel the need to mythologize this man, whose real-life accomplishments were so goddamn impressive that I wet myself seven times reading Ron Chernow’s amazing, Pulitzer-winning biography, Washington. I suppose this is how we as a society end up remembering these larger-than-life figures, tucking them neatly into a file drawer using landmarks like “wooden teeth”—Hoover: “wore a dress”; Woody Allen: “played clarinet”; Margaret Thatcher: “had three testicles”—satisfying a need to make these historical characters more iconic. In the case of George Washington, such embroidery was entirely unnecessary, as the reality of the complex and emotional man behind his steely visage was much more engaging than a mere accessory like false pearly not-so-whites.

As a teenager, young George transcribed, as a writing exercise, some 110 “Rules of Civility & Decent Behaviour in Company and Conversation.” I dislike very much the contrast of this task with the diversions I see pursued by modern sixteen-year-olds. That accusation includes myself, by the way. As a teenager, I didn’t have a video game in my pocket but instead ran obsessively to the bowling alley or the pizza parlor, where stood the noisome machines of escapism with names like Donkey Kong and Frogger.

Instead of burying his attention in his smartphone or video-gaming system, our nation’s future father sat laboriously scribing phrases like “3d. Shew Nothing to your Freind that may affright him.” (Translation: “Don’t freak me out, dude.”) “35th. Let your Discourse with Men of Business be Short and Comprehensive.” (“Wrap it up, asswipe.”) “54th. Play not the Peacock, looking every where about you, to See if you be well Deck’t, if your Shoes fit well if your Stokings sit neatly, and Cloths handsomely.” (“This ain’t a fashion show, brah.”) “56th. Associate yourself with Men of good Quality if you Esteem your own Reputation; for ’tis better to be alone than in bad Company.” (“Steer clear of the mall.”) “89th. Speak not Evil of the absent for it is unjust.” (“Why’n’t you say that to my face, Chad?”) “92. Take no Salt or cut Bread with your Knife Greasy.” (I believe this one to be a sexual euphemism.) “101st. Rince not your Mouth in the Presence of Others.” (“Say it, don’t spray it.”)

I mean, come on! Those are amazing and also chock-full of terrific advice. Since I read these, my wife, Megan, has commended me on keeping my “knife” much less “greasy.” My own parents did an excellent job of teaching me good and decent manners, despite my irrepressible desire to this day to lie back on a table or car hood, legs in the air, and light up a fart in a most bewitching fireball. Still, I can’t help but think that we could all benefit from having to write out these simple but effective phrases, to better commit them to our respective remembering parts (noggins).

Had Washington lived in our era, he would have undoubtedly been the leader of a troop of elite Eagle Scouts as well as the star of the local football team, with a side business building post-and-beam barns. He was a renowned physical specimen in his young manhood, often impressing his family and friends with feats of incredible strength and fortitude, whilst training for a career as a surveyor of land.

The journeys he would undertake for the purpose of land speculation, sleeping on little more than a handkerchief, truly entailed the most badass of arduous outdoor living, a full century before the Thermos bottle came onto the scene with its savory payload of hot stew.

He and his peers were rugged, far beyond any toughness we might imagine today, sitting in our air-conditioning, whining about how long it’s taking Zappos to deliver our new UGG slippers from Australia. A strapping man jack like Washington would have shot and cleaned a buck, cured its hide, and sewn himself two pairs of boots in the time it would take us to update our credit card information on Amazon.

In the journal he kept of his journey over the mountains, floridly entitled Journal of My Journey over the Mountains, George Washington firmly established his lifelong habit of chronicling the important events of every campaign to which he applied his considerable energies. The sheer volume of written correspondence he produced in his lifetime is staggering, especially to the urbanized inhabitants of this modern age, to whom handwriting letters seems as farfetched as scraping leather out in the tanning shed for harnesses, belts, and shoes.

The University of Virginia houses a program entitled the Papers of George Washington, which will inventory more than 135,000 documents, a project so vast they don’t expect to be done collating and annotating it until 2023! If Washington started writing the day he leapt from his mother’s womb, that would have been five-and-a-half letters a day over his sixty-seven years of life. That magnificent bastard could write, and he did so centuries before there was a Bic to click. No, nor roller-ball, felt-tip, Sharpie, or even that old standby, the Ticonderoga no. 2 pencil!

George scribbled those many thousands of letters and journal pages with a quill and ink, folks. And not only was his body of work prolific, but he was quite the wordsmith as well. As I perused selections of his letters, I was delighted by adjectives such as scurrilous, acidulous, obdurate, opprobrious, contumelious, and vituperative, almost all used to exclusively criticize or dress down others who had fallen short of his high standards on the battlefield or in the statehouse.

I, for one, greatly enjoy stumbling upon such colorfully descriptive wordings (even when they’re directed at me), because they require me to seek out their meanings and pronunciations in the dictionary. (This is how I had learned, by the ripe age of seven, words like misconduct, shenanigans, insubordination, and then as a result of those, the subsequently juicy confiscation, misdemeanor, castigation, retribution, and, finally, paddle, bludgeon, or glory-board.)

As mentioned earlier, his manners were impeccable, as he strove to succeed not only among his Virginian neighbors and peers but in the eyes of the British Crown as well, since King George still controlled the activities of his colonies from across the wide ocean. Knowing no other governmental entity in his life, our young protagonist naturally aspired to impress the Crown in hopes of rising to a place of esteem. Unbeknownst to either party, the fates were crafting in George Washington the perfect weapon to be brandished against Britain herself in the impending, inevitable war for America’s freedom.

In 1753, Washington was thrown into the fray in a very substantial way. Colonial France and England were both laying claim to the enormous Ohio Country (modern-day Ohio, Indiana, and parts of Pennsylvania and West Virginia), desiring not only to claim the land but also to secure the lucrative fur trade with the Native Americans.

An order came to the colonies from none other than King George II himself, calling for a valiant envoy to hustle west to see if the French were building forts where they shouldn’t be. If so, the bearer of the orders was instructed to ask them to peacefully depart. Makes sense, right? “Oh, apologies, monsieur. We did not realize zat you British fellows would like zis land. Allow us to just collect our accoutrements and we will scoot along, begging your pardonnez-moi.”

In the quite likely event that the French would not just meekly vamoose at the invitation of the British colonists, the envoy was then instructed to “drive them off by force of arms.” As you may have surmised, these orders fell to none other than our virile, vigorous hero, who was a mere twenty-one years of age. Can you imagine the weight of this responsibility? I cannot. I am forty-four at the time of this writing; I like being trusted by my superiors (my wife, my director, my publisher) with responsibility, and I can’t begin to fathom it. At twenty-one, I was impressing my playmates by successfully discerning between my butthole and a sizable gopher hole in the ground, say, four to five out of seven tries on the average.

Remember, at the time, Washington’s superiors were the British royalty. He had no inkling that he was soon famously to become the loyal servant of the citizens of a fledgling country. It’s difficult, if not impossible, to fathom the complications involved in the settlement/conquering/theft of North America by the three main European strengths—England, France, and Spain—with the added factions of myriad indigenous tribes trying their level best to literally hold their own against the avaricious white newcomers.

Washington’s ability to navigate these treacherous hinterlands successfully and arrive safely back on the East Coast gave the strapping young buck a galvanized, heroic sheen, which played no small part, one assumes, in his subsequent appointment to command the Virginia regiment in the French and Indian War, part of which was known as the Seven Years’ War. Washington distinguished himself as a leader of men, not so much through any one clear performance but more through his perseverance and discipline, costing the Virginia settlers less in casualties than the other colonies. It was during this conflict that he began to accumulate knowledge of British military maneuvers, information that would serve him very well in the coming Revolution.

It also didn’t hurt his chances of landing a choice, wealthy bride in the form of one Martha Custis. Given our country’s current population, I suppose I would have surmised that the colonists were not opposed to procreating, or “cultivating tubers,” but I was not prepared for Chernow’s report of an early mail order made by the newly wed Washingtons to a London apothecary: four ounces of Spanish fly! Also recorded in their possession were the books Conjugal Lewdness: or, Matrimonial Whoredom, by Daniel Defoe, and The Lover’s Watch: or, The Art of Making Love, by Aphra Behn. Right on, George and Martha! Spill the wine!

Sadly, these titillating helpmeets did nothing to aid the Washingtons in producing any offspring of their own. A 1751 bout with smallpox is thought to have possibly rendered the baby-maker of our country’s father ironically sterile. It certainly could not have been for lack of desire upon the part of George, since he could not have spoken of Martha in a more lascivious manner than he did in this favorite phrase of approbation: “Virginia ladies pride themselves on the goodness of their bacon.” I don’t know about you, but I can think of few more boner-inspiring turns of speech.

In any case, Washington was by now one of the most well landed of the Virginia elite, with a young family and a plantation to manage. These responsibilities must have weighed quite heavily when he was called upon to serve in the growing conflagration of the Revolution. Sure, he had political aspirations, but the fact that he left his wife and their collective household of children from her previous marriage, as well as other family strays, not to mention the thousands of acres of farmland in his care, impresses deeply. Martha’s ability to remain steadfast as well, during all of Washington’s extremely dangerous campaigns into the woods or onto the battlefield, is equally laudable. There must have been gumption in the Mount Vernon water supply.

Upon reexamination, the overall cause of the Revolutionary War is one of the aspects of Washington’s history that struck me in a much more resounding way. These colonists under British rule, on a new continent some thirty-four hundred miles from England, were receiving news and commands from England that were three months old by the time they hit their front porches, which would have been frustrating in the kindest of circumstances, and these were anything but.

Let me just nutshell where we’re at for you: In the early 1770s the asses of the thirteen American colonies were growing unbearably chapped thanks to the taxes being imposed upon them by the British Parliament. I suppose England, wielding the strongest military on the planet at that time, thought little to nothing of possible repercussions to their bullying. After all, what were the colonies going to do, put together a ragtag bunch of militiamen and throw a tiny revolt? How precious!

In what has to be one of the most infamous cases of royal myopia on record, Mother England lost her opportunity to count the Grand Canyon, the Walmart and Sam’s Club empires, and the Disney theme parks among her holdings. If King George had only been able to quell the British ego just enough to deal reasonably with the colonists instead of electing to suppress them like an insubordinate child, then instead of delicious coffee-based drinks and jazz-compilation CDs, all those lucrative Starbucks franchises would likely be serving tea and crumpets today.

When our Congress elected to form a Continental army and unanimously agreed to post George Washington at its head, they undertook what was, on paper, an incredibly foolhardy quest. With very little budget and no training, our forefathers had decided to fight their way clear of England’s tyranny—or die trying. The catalyst that led to this unlikely and dangerous course of action was the simple realization of undeniable human rights that had occurred to these great thinkers in what has come to be known as the Age of American Enlightenment. The self-evident truths of an individual’s right to “life, liberty, and the pursuit of happiness” that these trailblazers had apprehended would no longer let them rest under the onerous hand of monarchist rule. This, to me, is the moment in our history when the corncrib of gumption was fully stocked. I am so grateful that these farseeing men had the temerity to make this moral choice even when the life-threatening odds were stacked against them.

Washington himself was scared shitless by the task in front of him, and with good reason. Just because he was the clear choice in the colonies to lead a military force doesn’t mean the population as a whole had any business engaging in a war with an accomplished international power like England. Nonetheless, lead them he did.

It was at this juncture in Chernow’s biography that I was struck with an intense feeling of empathy for Washington, perhaps because he was approximately my age, forty-four, when the conflict began, or perhaps because Chernow had imbued him with such a textured humanity. Having been a sometime leader of men and women myself by now (in a much, much tinier way), as a director or producer or supervisor of a team of carpenters for the stage or a shopful of woodworkers, I was able to imagine myself much more effectively in his shoes thanks to the explicitly described conditions of the conflict.

Speaking of shoes, frequently Washington was the only one wearing any at all, as his troops were so underfunded as to exist in constant want of the bare minimum of clothing and footwear. Despite his consistent hectoring for funds, Washington received only very rare aid from the citizenry whose freedoms he was sworn to defend. To add to this indignity, many of the colonists sold their food or offered their lodgings to the British troops, because the lobsterbacks had hard cash with which to purchase such luxuries. And this wasn’t just through one winter, folks. This deplorable treatment lasted for several winters. Nature’s four seasons can be beautiful on the East Coast, but they’re lovelier by far if one is wearing pants.

When the details of this situation settled upon me, my once distant and cold admiration for our first president was refueled with a strong sense of the here and now. If I consider the dilemmas that face our modern populace, it’s hard to reconcile any degree of complaint with the hardships that these brave and long-suffering soldiers endured. Sure, it sucks when your airplane sits on the tarmac for an unexpected forty-five minutes, making you late to Austin, meaning you’ll miss the eight fifteen showing of The Hobbit: The Battle of the Five Armies at the Alamo Drafthouse, where you can enjoy a pint of Guinness and a sausage with your film. It sucks big time, I agree, but compared to sleeping in the wintry elements with little on your back but a potato sack, and an empty belly to boot, it seems rather bearable.

The Revolutionary War was filled with occasions of fortune’s ebb and flow, but my adulation for Washington was most replenished by this turn of events: In the fall of 1776, the American troops were badly defeated by British general William Howe in his successful campaign to capture Manhattan. Washington managed to limp away across New Jersey with his life intact, but the coming winter and recent string of defeats had the future prospects of the Continental army looking rather bleak. Despite the idealistic goals of the dwindling American forces, surrender must have been looming heavily as the only remaining recourse for our George.

Fortunately for us, George had another idea. He and his men staged a surprise attack on Christmas Day of 1776, stealing across the Delaware River to whup the Hessian army stationed in Trenton, New Jersey, capturing a thousand Hessians. Thus, the historical image to which I had clung, of those redoubtable wildcats rowing their boats across the icy river, turned out to be damn accurate as a representation of the unquenchable spirit of American gumption!

As you may have by now gleaned, we won. Washington realized going into the war that he had one hell of a tough row to hoe, and so he masterfully created in himself an heroic figure behind which the colonists could rally. As the author and journalist Garry Wills has noted, “Before there was a nation—before there was any symbol of that nation (a flag, a Constitution, a national seal)—there was Washington.” According to Chernow, as Washington arrived at each town, he would exit his carriage and climb astride a horse, knowing that the people wished to picture him upon a horse, lending a little bit of theater magic to his creation of, really, our first superhero.

Naturally, when we emerged from the other side of this long and bloody conflict as the victors, Washington was fully deified and likely could have written his ticket to claim whatever power he chose as the clear “King of America.” Certainly no one expected his next move, which was to resign his commission as commander in chief in order to return to his home at Mount Vernon. Trying to imagine another political leader before him or since who would hand over the keys to the kingdom just as his or her greatest power was realized is pretty impossible. For this, especially with the winning reason of returning to his farm and family, I am quite gratified in my choice of Washington for this first chapter. King George III agreed with me, when he exclaimed upon hearing the news of this noble demurral, “If he does that, he will be the greatest man in the world.”

As our rough-and-tumble American forces were eventually handing the British their finely candied asses, the nuances of the Constitution—the document which would provide the cornerstone of our new government’s foundation—were also being hammered out. In his lifetime, Washington frequently voiced his consternation over the conundrum that slavery embodied and how the language about the freedoms of the individual that fills the Constitution was obviously hypocritical. He was aware, fully aware, that all slaves deserved to be freed, on principle, but was unable to bring such a liberation to fruition in the chaotic morass that was our fledgling United States. His own household, if not his state of Virginia, and really the whole enchilada, his misgivings assured him, would come to crumbling ruin if he freed his slaves.

The Marquis de Lafayette was instrumental in voicing this particular complaint, urging the new American government to enact a manumission setting free all those held in slavery. His passion went a long way toward inspiring the leaders of America’s Revolution, for he had determined, as he wrote to his wife, that “the happiness of America is intimately connected with the happiness of all mankind.”

Despite the number of esteemed thinkers who shared his enlightened view, it proved to be more than two generations before the Emancipation Proclamation would be enacted. Washington was the only significant slaveholder among the Founding Fathers to grant his slaves their freedom in his will upon the occasion of his wife’s death. While this act deserves credit, it also strikes me as passing the buck to his inheritors; the problem was too messy for him to tackle, but here you go, kids. Good luck! Despite the apparent deflection of responsibility, I suppose it was better done than not.

The stark division of opinions over the issue of slavery was only one of the many issues on the table for the crafters of the Constitution, which makes its ultimate completion and subsequent ratification all the more miraculous. Again, I point to the example of modern legislation, wherein it seems to take years just to craft a clause about one small tax law in one obscure bill. The fact that all the politicians from all thirteen of the colonies were able to agree enough to set this ship a-sail is simply astonishing. As Washington himself averred, “It approached nearer to perfection than any government hitherto instituted among men.”

Another quality I have come to admire more and more in George Washington is the near-perfect neutrality that he exhibited over the course of his political career. He was known for patiently hearing out, sometimes to the point of infuriating his peers, each side of an argument until he felt that he could draw his own considered opinion. Certainly he would have had his own agenda, as would any human being, but more often than not his intentions seemed to rest in whichever direction was best for the common good. Regarding the Constitution, as he told James Madison, “the appearance of unanimity . . . will be of great importance.”

So adept was he at satisfying all sides of the issues at hand that Washington remains our only president to date who has received 100 percent of the electoral votes, on the occasion of each of his two terms. To imagine a modern president tallying even 75 percent of those votes today is purely unfathomable. Even in these early days of America’s inception, Washington was surrounded by virulent politicking on the parts of Madison, Jefferson, Monroe, Hamilton, and anyone else who could get a leg up. There was plenty of dirty pool being played, including backdoor deals and smear campaigns in the press, even then. It seems to me that without Washington’s impartial demeanor, this great “American experiment” could well have foundered on its moorings before it ever left the harbor.

Thinking about his approach points out to me my own extreme laziness in scrutinizing political issues. My attitude to begin with—that most politicians are full of shit—doesn’t help, but it’s a hard piece of information to get around and impossible to disprove. For candidates to achieve any high office in our state or federal legislature, they are required to make loud, ambitious public promises during their campaigns, which can never be completely fulfilled, even by the greatest humanitarian intentions. Therefore, we’re starting off our relationship with each prospective leader on the wrong foot, a foot of mistrust.

This insubstantial beginning is then quickly exploited and exacerbated by the sources from which most of us derive our news of the world, be it politics or foreign policy or which teenage pop star had her bikini on backward yesterday, “news items” that have all come to hold equal weight in today’s media. In any given election, when I’m on top of it, I talk to my friends about the bullet points and I look up information online to inform myself about bill initiatives, and I usually end up very confused. Few bills or amendments are ever so cut-and-dried as to lend themselves to a clear “right” or “wrong” answer. (And this is the best-case scenario, when I’m not buried under a writing deadline, or twelve-hour shoot days, or both, in which case I lazily just leave it all until the last minute.)

Once my confusion is firmly established, I can then simply turn to one of the handy consumer channels we’ve been provided to tell us what we think. Depending upon my leanings, I can flip on Colbert, Stewart, or the new hottie John Oliver, or conversely I can tune in to Rush Limbaugh or Bill O’Reilly or any other personality on the Fox News marquee. In any given circumstance, they will leave me no doubt whatsoever as to who is deserving of my vote and who is an asshole. Although I initially appreciated this convenience, much the same as I appreciated the Big Macs of my teenage years, I have come to wonder indeed, in both instances, what are the ingredients that go into the sandwich?

Without George Washington’s inaugural acumen for nonpartisan governance, I am convinced that we would be sunk even deeper in “policy” than we now find ourselves. It’s telling that the scholars all seem to agree that we have never seen another of his ilk in the White House and are not likely to going forward. At great personal cost, this excellent “first American” set our country sailing on as even a keel as he could manage, sails billowing, full speed ahead upon the winds of gumption.

2

Benjamin Franklin was never president of our country, and yet his likeness adorns the most substantial denomination of our paper currency in circulation, the one-hundred-dollar bill. I find it appropriate, by the way, that George Washington graces both the one-dollar bill (aka “bob,” “buck,” or “single”) and the quarter (aka “two bits”), as they have been the most hardworking and honest forms of currency in my lifetime. Many of my earliest wages were paid in quarters, which worked out just fine since I turned right around and funneled them into Galaga and Joust video game machines and then occasionally into washers and dryers at the Laundromat. In college, there was a perfect storm of a Laundromat that had washers, dryers, and Galaga, the allure of which kept me coming back with a frequency that kept my clothing smelling very pleasant indeed. Washington most likely would have approved of his likeness representing simple, honest lucre, as he was comfortable with his reputation as the go-to guy for all your cash needs, but James Madison would most certainly not have liked the fact that he landed upon the five-thousand-dollar bill (which is no longer in circulation). The Mad Jam was not given to the fancier things in life, nor was he one to seek the spotlight, so such a display of his visage, while understandable to us, would have undoubtedly caused him consternation.

The hundred-dollar bill seems fitting for our man Benjamin, since he had the knack of pulling himself up by his bootstraps and engaging in admirably top-drawer activities, whether he was inventing some clever new innovation, seducing foreign powers with his skills of diplomacy, or disseminating wisdom and humor with his Poor Richard’s Almanack. (For these reasons and more, he is considered to be the father of American Freemasonry. In fact, he was instrumental in the initiation of George Washington into that secret society. This is all I am allowed to reveal.) I am powerfully enamored of Mr. Franklin for the achievements he crafted in his life, fueled primarily by an insatiable sense of curiosity.

As a boy, Ben Franklin loved to swim, and he was fascinated by the physics of the tangible world, that is, the way things operated chemically and mechanically, so he naturally invented flippers to help him swim more expeditiously. He found himself in a burgeoning new society, and he explored every avenue by which he might have a positive effect. He established the first library in Philadelphia; he established the US Postal Service, no big deal; and he touted reading above all other diversions. A lifestyle that I still consider to be the most attractive and profitable, if one can just avoid all the distractions of technology and other media channels. He was so devoted to reading as a pastime, he invented a reading chair equipped with a foot-powered fan as well as a handy ladder, so when the chair was flipped open, one could climb it to reach a book on a high shelf. The man invented bifocals; he greatly improved the science of burning wood to heat one’s home by inventing the Franklin stove, which was exponentially more efficient than the popular open fireplaces of the day; and, of course, he famously discovered electricity and thereby the electric battery. Without this man and his creativity, our dildos would remain silent and lifeless to this day.

Now, as I have learned the hard way, accomplishing any achievement worth crediting in this life usually requires a few important missteps before one can discern the path to success. In my own case, naturally much less impressive than his, that means that I ruined a good deal of expensive white oak in joinery mistakes before finally succeeding in executing a respectable trestle table in the style of Gustav Stickley. If you were as profound and prolific an inventor as Benjamin Franklin, it only stood to reason that you would also invent some folly. My favorite example of this would have to be Franklin’s “air bath.” This technique entailed sitting completely naked in a room with all its windows thrown open, so that a person could “bathe in the pure, fresh air.” Before I too readily enjoyed a chuckle at the expense of this idea, I thought I had better try it out for myself. While I did find the experience to be enervating and even slightly titillating, I couldn’t in all honesty say that I felt any cleaner after thirty minutes of air bathing. I’m glad I tried it, although I can’t say the same for the rest of the people at the coffee shop. Personal experience is the surest method by which one can determine the truth of a supposition, no matter how reputable the reporter, since so many experiences are subject to individual proclivities.

A lifetime of deep thinking and subsequent tinkering was fostered partially by Franklin’s father, who would take him on walks around the Boston of his boyhood, to witness “joiners [carpenters], bricklayers, [wood] turners, braziers [brass workers], etc. at their work.” Franklin stated that ever since then, it had been a pleasure to see good workmen handle their tools and that he had learned enough to allow him to construct little machines for his experiments. This episode moved me, as I had a similar but less intentional experience with my own dad. Among him and my uncles and grandfathers, not to mention our neighbors, I witnessed, and even got to take part in, carpentry, paving, roofing, gardening, animal husbandry, sewing, painting, boating, and mechanical work on engines large and small. None of these trades struck me particularly on their own, but I was quickly enthralled by the world of tools and materials and, most important, hardware.

Trips to Mel Phillips’s True Value Hardware in Minooka bore the savory fruit of working-class camaraderie in addition to row after row of magical implements with which one might plumb running water into one’s home or wire electricity to one’s tree house. There was real wizardry in those mom-and-pop hardware stores, delivered with a personal, avuncular touch and a free cup of coffee. Not every youngster is going to end up a woodworker, but some trips to the hardware store or a craft fair might go far in igniting a creative spark in your own little Ben or Betty Franklin. Many of Franklin’s projects were contrived by simply walking down the sidewalk or sitting at a café, observing the man-made systems around him. He noticed that the oil-burning streetlights would rapidly grow dark with accumulated soot, so he invented a new design with improved airflow, then added more streetlights and night watchmen to make the Philadelphia streets safer at night.

His desire to devise implements by which our lives would be improved was bolstered by his interest in what he called his list of “virtues.” Much like his younger friend George Washington, Franklin wrote out a list of the ethical ideals to which he hoped to measure up. They were temperance, silence, order, resolution, frugality, industry, sincerity, justice, moderation, cleanliness, tranquility, chastity, and humility. Franklin began to keep a tabulation of the instances in which he would transgress these virtues, and he said he was “surprised to find myself so much fuller of faults than I had imagined; but I had the satisfaction of seeing them diminish.”

To me, this sort of self-evaluation is most inspiring, as I find it all too easy to waltz through life lazily maintaining a minimum display of decency, which must necessarily register to others as a mediocre effort. Just go ahead and read through that list once again, and if you’re anything like me, two or three (or six or seven) of the virtues will jump out as areas that might like a bit more attention. We’re human and therefore flawed by design, so it’s a test we can never ace, but as the man himself puts it, “I never arrived at the perfection I had been so ambitious of obtaining, but fell far short of it, yet I was, by the endeavor, a better and a happier man than I otherwise should have been if I had not attempted it.” The notion gives me comfort—that if I simply pay attention, then I should end up a better and happier man.

This introspection no doubt played an important role in fueling Benjamin Franklin’s most consistently sagacious and hilarious journal, entitled Poor Richard’s Almanack. Self-published for twenty-seven years, from 1732 to 1758, this periodical was loaded with a mix of sound advice and jocularity. Authoring famous adages like “Early to bed and early to rise makes a man healthy, wealthy and wise” brought to Franklin a level of celebrity heretofore unknown in the colonies. Considered the first American humorist, Franklin regaled his readership with a constant stream of raillery over the years, uproarious yet redolent of horse sense. Within his Almanack and without, he is credited with such gems as:

Three may keep a secret, if two of them are dead.

The greatest monarch on the proudest throne, is oblig’d to sit upon his own arse.

He that falls in love with himself, will have no rivals.

He’s a fool that cannot conceal his wisdom.

Serving God is doing good to man, but praying is thought an easier service, and therefore more generally chosen.

There will be sleeping enough in the grave.

To wit, this last phrase seems an accurate depiction of Franklin’s own practice, as a neighbor described him to be nothing if not industrious: “For the industry of that Franklin is superior to anything I ever saw of the kind; I see him still at work when I go home from club, and he is at work again before his neighbors are out of bed.” Time after time I am reminded by my heroes, from Ben Franklin to my wife, Megan, that great achievements require more than just talent and skill and super-foxy good looks. If a person wants to succeed, he or she must work his or her cute little tail off.

Additionally, many of the subjects I chose for this book seem to prefer reading books to all other forms of diversion, which I understand. Watching a television show or playing a few hands of euchre, or even indulging in a video game, can certainly be most enjoyable, and it surely passes the time. The catch is that those activities do little else than divert my attention, while a well-chosen book can actually concoct a stew of betterment within me. Whether I’m reading the excellent nonfiction of a John McPhee or an Elizabeth Gilbert or the narrative stories of a Donna Tartt or a Patrick O’Brian, I have cultivated the opinion that a certain alchemy occurs up in my math-can that is unmatched in its potency by any other form of recreation. This is why I always prefer the book to the movie; even if Peter Jackson has spent considerable millions embroidering the astonishingly real world of Middle-earth, it cannot compare in verisimilitude to the Shire I imagine within my own cerebral laboratory.

In the Philadelphia library that he had established, Benjamin Franklin spent “an hour or two each day, and thus repar’d in some degree the loss of the learned education my father once intended for me. Reading was the only amusement I allow’d myself. I spent no time in taverns, games, or frolicks of any kind.” Now, I know what you’re thinking: Isn’t this the guy who said, “Beer is proof that God loves us and wants us to be happy”? Well, not exactly. This quote has been somewhat paraphrased and hijacked by many of our nation’s craft breweries, and rightly so. It may be revisionist writing, but I for one am okay with it. What Franklin did write was, “Behold the rain which descends from heaven upon our vineyards, there it enters the roots of the vines, to be changed into wine, a constant proof that God loves us, and loves to see us happy.” Beer, wine . . . come on. Six of one, etcetera. He also coined the euphemism for drunkenness “Halfway to Concord,” which tickles me to no end. That, my friends, is fun with words.

I myself think that taverns, games, and especially frolicks are very important activities in which to engage as well, but in moderation. For every four nights in the library, I would like to feel I’ve earned one night in the tavern, or at least half a frolick, if Megan is up for it.

Despite the rather puritanical tone of his guidelines, Franklin was still a lot of fun. I mean a lot of fun. I am heartened by his advice to set up an orderly, structured, and productive life, and then fuck around within that framework, ensuring that you engender mirth whilst remaining optimally productive. For Pete’s sake, he wrote a scientific letter to the Royal Academy of Arts of Brussels suggesting that research be undertaken to explore methods of improving the odor of human flatulence, a letter that later came to be entitled “Fart Proudly.” If there had been any question up to this point that Ben Franklin was my kind of guy, this one piece of writing would extinguish all doubt. I could well have been his muse, had we shared a more contemporary time line.

From his vast, golden canon of wise scribblings and witty sayings and treatises on both foreign policy and breaking wind, there are two sentiments that appeal to me above all others. The first could well serve to mirror the main theme of my own book, and it looks like this: “We must, indeed, all hang together, or most assuredly we shall all hang separately.” Franklin made this statement just before signing the Declaration of Independence, giving us a clear indication that (a) he was hilarious even in the face of such a momentous occasion, and (b) the assembled statesmen were not remotely all in accord with the document at hand.

The year was 1776, and the aforementioned king of England, a somewhat addled chap by the name of George, had refused to answer yet another petition from the colonies to redress his aggressive taxation. The publicly chosen leaders of the colonies likely could have argued amongst themselves for decades about the issues at hand, but they did not. They recognized that despite many differences of opinion, whether they preferred the thin New York–style pizza crust or the clearly superior Chicago-style deep-dish version, they must leave those common sources of rancor at the door and behave as one united front. To my way of thinking, this is, and always will be, our task as the human race on this planet.


Gumption: Relighting the Torch of Freedom with America's Gutsiest Troublemakers, by Nick Offerman

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16 of 17 people found the following review helpful. Loved the Book! By Art Belliveau I really enjoyed listening to Nick Offerman's first book, Paddle Your Own Canoe: One Man's Fundamentals for Delicious Living, and was looking forward to his second book with a great deal of anticipation. I was not disappointed.In this book Offerman talks about gumption: combination of hard work, courage, and a willingness to go down the less travelled road. It began in an almost expected way--with several of the Founding Fathers. What made his biographical sketches of them different were the way he told these stories and his own particular interpretations of their lives and the lessons he learned from them. Offerman is a great story teller. And while he takes himself lightly, he does not take his message lightly: that an intrinsic quality of the American character is the willingness to go against the grain and to do your own thing. More than that, though, to do it well enough that you can make enormous change--whether this is what you set out to do or not.The book was idiosyncratic in that, after some of the expected historical figures (Washington, Franklin, Madison) and moving to other, less expected, figures (Frederick Douglass, Theodore Roosevelt, and Eleanor Roosevelt) his list becomes much more personal. I was introduced to historical figures I had not heard of and contemporary Americans--some known to me, some not. All these stories were told with a dry wit and wry humor that stayed on message.I have often thought that many of the best comedians were also philosophers. That they spread the world views of their philosophies with humor to help the medicine go down. Offerman is in this vein. He has a philosophy of life that he is passionate about. It includes such attributes as individualism, working hard at work worth doing, perseverance, a fierce defense of our American right to be who we want to be, and a fiercer belief that government should stay out of our private lives and decisions, but be there to help those who need it.This is all told in an extremely amusing way that kept me listening raptly. While I won't be putting this book in my seventh grade classroom library (there is some language in there that would get me fired), I do not hesitate to recommend it to older teens and to grown folks. This is not just the usual historical subjects. It is worth noting that while I did indeed learn a lot from the book, it was at no time pedantic or boring. This is something the best teachers strive for and that Offerman delivers.

1 of 1 people found the following review helpful. ) I generally enjoyed the book and found it interesting By Nancy R. Nick Offerman is not shy about his point of view. He has a strong belief in courage, self reliance and spunk, or as he says "gumption." To illustrate these valued characteristics, he profiles 21 individuals, from founding fathers such as George Washington and Benjamin Franklin, to icons of popular culture such as Yoko Ono (who I learned a lot about so thank you.) Some of his choices come from lesser known fields such as boat building while and all are personally admired by if not friends of, Offerman (those deceased obviously are more the former than the latter category.). At times he is preachy, at times he is a bit of a sycophant (especially with Conan O'Brien.) I generally enjoyed the book and found it interesting. One thing that drove me a little crazy (that is probably more apparent in an audio book) is the over use of the word "perspicacity." It is a really snappy word, a ten cent word, or whatever expression you want to use to indicate someone has a vocabulary they are not shy to use. However, it looses its ability to impress when it is trotted out five or more times. A very small point. I found many of the themes he touched upon very relevant even when it felt he was driving home his point with one of his beloved 2 x 4's hitting you over the head.

3 of 3 people found the following review helpful. Loquacious offerman By Kindle Customer I'm such a big Nick Offerman dan. For me he can do no wrong. None the less I expected to be a little bored by the subject matter of this book but I was pleasantly surprised. Each chapter is a mix of biography and Offerman essay. I'm always jazzed by Nick's ridiculously good vocabulary as well. It makes me feel a little challenged and a lot smarter (afterwards)

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Gumption: Relighting the Torch of Freedom with America's Gutsiest Troublemakers, by Nick Offerman
Gumption: Relighting the Torch of Freedom with America's Gutsiest Troublemakers, by Nick Offerman